Playing at comics

Been inspired by Tyler Jenkins watercolor-based art in Grass Kings (and before that Snow Blind) and wanted to try something similar.  But do not have a story right now so I took two random images from Country Magazine and combined them into paneled art.  Then added some words to make a "story" via Microsoft Publications.  Let's see where this all goes. . .

                                            Page 1? (Will there be a Page 2?)

                 Unlettered art -- watercolor, pen and ink on paper (the paper was not made for watercolor, so it has buckled due to the water washes)

                                                      Pen and ink

How about dem apples

More doodles. . .pen and ink with simple watercolor washes

Doodling with watercolor sticks

Doodling and playing around with some water soluble inks (Diamine Damson, J Herbin Vert Empire) and Daniel Smith watercolor sticks (Moonglow, Quin Gold, Quin Red, Undersea Green, Hansa Yellow Medium) to see which colors/inks work together.  Not sure if I found that match, but some of these ink/color combos work really well together.

Lion around

I'd be lying if I said it was not hazy, hot, and humid at the National Zoo this past weekend.  But, still it was a a lovely day.    

A quick, almost gestural painting of the lion, just lying around.

                                 Watercolor 6.9 X 9.8  on 110 lbs paper (PS)

Throw Back Thursday -- Herk the Barbarian

Back in the '90's, my medium of choice was color pencil over pen & ink (sometimes using pastels for the background).  Line work was minimal, layered color pencils gave the drawings depth.  This was a departure from what I was doing previously, lots and lots of line work and cross-hatching (I am looking at you Frank Miller's Ronin), regardless of whether it was pencil or ink. 

Back in that day, the drawings were small, less than 8.5 x 11.  The two below were 11x17, a real stretch for me.  Covering that much paper with color pencil took time.  That is when I started experimenting with adding pastel (see the blue mountains).  Now I am mostly playing around with water color, pushing color around.  Very little in the way of drawing.  Sometimes it is fun to look back and see how my "style" has evolved. 

Unfortunately, this was long and before there were inexpensive scanners or digital cameras so I have few digital records of these drawings.  Most of those pictures are long gone, given away to anyone who asked.  But a few remain.  

I give you Herk the Barbarian and Silv. . .  
 

 

              Color pencil, pen & ink, and pastel on bristol 11 x 17 (board circa 1994)

                      Color pencil, pen & ink on bristol board 11x17 (circa 1993)

The Kearny Kardinal

In Kearny, we spell it with a "K" because alliteration is cool.  

Initially I had wanted to add a more elaborate background, but I liked how the bird looked against the white paper.

                                     Watercolor on 6.9 x 9.8 on 110 lbs (PS)

A feast for woodpeckers

Woodpeckers are starting to take a toll on my old friend.  Mostly we get Red-bellied and the occasional downy wood peckers feasting in the old growth woods.  Last week a rarely seen Pileated woodpecker went to town on my favorite tree.  It acted more like an axe beak, hacking wood chips on an upper branch.  Giant, gaping holes are testament to the damage.  

                           Watercolor, Pen & ink on paper

Done using Diamine Damson ink (a grayish purple ink) and a touch of watercolor for emphasis.

. . .something blue

Trying something different.  After some light and sunny Spring trees, here are some dark and brooding trees.  Why?  No reason.  Just wanted to change it up a bit and use a different color palette. That, and try out one of the lessons in a  Stephanie Pui-Mun Law art book I received as a gift.  I am a big fan of her work, her work is amazing.  Where her landscapes look ethereal and Fae, this is bit more harsh and dystopian (if dystopian futures had trees).  Not a bad result but. . .watercolor continues to be a process for me.

                                    Watercolor on 140 lbs paper 9x12

Spring -- Let's Try This Again

So, let's try saying hello to Spring once again.* Here are some more Cherry Trees in full blossom. . .and a short ode to the season in case it keeps making us wait. 

                                       Watercolor 6x8 on 90 lbs paper

*If it snows again, it is not my fault. . .

Still Life Before Salsa

Painted this one a while ago but never got around to posting it, mostly because I had wanted to add the salsa recipe in calligraphy (but that urge has come and gone).  

                                              Watercolor on paper

T and I were going to make salsa to take to a party.  As I began to assemble the ingredients on the plate, I thought it would make a great still life.  So, before I started chopping the veggies, I took 15 minutes to do capture them in watercolor.  I think it came out rather well.

Brun Ours

A cute little brown bear in Brun Ours (brown bear) ink on a cold snowy day. Brun Ours is a moderately shading ink and it has become my favorite ink for flex pen writing (it looks so old school).  Both the bear and the lettering done using a folded nib pen.

Spring blooms, Cherry Blossoms Soon

I have long wanted to visit DC when the Cherry Blossoms are blooming.  It appears like this year will not be the year (predicted peak bloom will be next week).  But in honor of the upcoming National Cherry Blossom Festival, and a longing for Spring, here is a simple watercolor of those wonderful, beautiful trees.

                                             Watercolor 6X8 of 90 lbs paper

Its been a while. . .

. . .since I did any watercolor or posted anything.  Did this for a colleague who just came back and is recovering from neck surgery.  And it is the perfect way to start after an extended abscence.

                                  Watercolor, pen & ink on 90 lbs watercolor paper

Sunset in San Diego

A quick and rough watercolor of my hotel room view in Mission Bay, San Diego.  The location was not as convenient as being in the Gas Lamp, it certainly offered more picturesque vistas than my stay at the Manchester Grand Hyatt (see below). The clouds over the Pacific Ocean were quite spectacular.

                                        Watercolor 5.5x8.5 on paper

                              View from Manchester Grand Hyatt (circa May 2015)

San Diego Zoo

Both San Diego and DC are my favorite zoos.   I love the opportunity to sketch the animals.  Having been in San Diego for work, I took some vacation days to go to the zoo.

This gorilla was so majestic and so. . .sad.   I was unable to sketch him live, but kept thinking about the photos of him that I took on my iPhone and envisioning this sketch.   Once, back at the hotel, I just had to get it out of my head and on to paper.

I had wished to put a little more detail in this sleeping Rhino, but his buddy had other ideas and rousted him in the butt.  Sometimes, it is the quick, gestural drawings that have the most character.

Bee Kind

A bit more abstract than usual, still trying to loosen up my style.  

This little guy was chilling on my butterfly bush and I took a picture on my iPhone.  It is one of those crazy wasp moths (Melittia sp.), so yes, the title is a misnomer.  

Serious Cat

Brian K Vaughn may have the awesome Lying Cat, but this is Serious Cat.  Why so serious?  I have no idea.

                                  Watercolor on 6.9 x 9.8 on 110 lbs paper (PS)

A walk in the woods

Been trying to get out more on the weekends to go hiking to see the resplendent Fall foliage in NJ.  Took some photos to use as reference pictures.  This was as very loose painting.  You can see how the paper buckled (the shadows at the bottom of the image) under they heavy washes.

                                           Watercolor on paper

Oriole

I am really proud of this one.  It may well be the best watercolor painting that I have ever done.  But that is just my opinion.  Would love to hear your thoughts.

                                  Watercolor on 140 lbs paper 9 x 12

Smoosh Faced Tiger

This tiger is cute in his own, odd way.  His face got a little smooshed and he is a bit cross-eyed but he has oodles of character.  

I knew the proportions of his face were off when I first sketched it.  Instead of redrawing, the plan was to correct it during the painting process.  Obviously, that did not happen.  That said, there are many technical aspects of this painting that I am really pleased about (mixing colors on the paper in the background, the use of negative space, dry and detailed brush strokes).  So show this smooshed face guy some love!

                                       Watercolors 6.9 x 9.8 on 110 lbs paper (PS)

Cloudy Bay

During our vacation in Seattle, T and I took lots of pictures.  Some were happy vacation pics and some were photo references.  Below is quick painting based on one of those photos from Whidbey Island in northern Washington.

                                                    Watercolor on paper

Folded NIb Pen -- Tree

I have been wanted to try out a folded nib pen for a long time.  Many artists use them for calligraphy (the letters produced with this nib are kinda insane) but it can also be used for drawing.  The nib can lay down lots and lots of ink, or very fine hairlines, producing pleasing line variation.  I used Daniel Smith walnut ink, which is lighter than my favorite Winsor and Newton peat brown ink.  However, it is capable of nice darks when layered.

                                walnut ink 10x7 on 140lbs paper

This is a custom, hand crafted folded nib pen created by Tim Leigh.  They are works of art in and of themselves.  I have pages and pages of practice lettering with my pen.  It has been a joy learning and practicing with this pen.

Running without Scissors

No, I have not run away, just been a little busy.  And productive (with painting, calligraphy, and letter writing).  I have lots of paintings to post and hope to get to them very soon.  

Below is one from my Stillman & Birn sketchbook that I have been working in quite a bit lately (I actually hope to fill up this year!!). 

                                       Watercolor, pen & ink

And here is the photo reference,

Spruce-Wood Warbler

I saw the photo reference for this Magnolia Warbler on the cover of the Cornell Lab of Ornithology Quarterly when it came in the mail and knew I had to paint it.  Done in the perfect sketch book.  What a joy it was to use, it stood up to the loose and juicy background washes.  And best of all, I painted this without any pen and ink to help with adding details or to hid deficiencies in my watercolor skill.  I love the contrast of the dark green background with the yellowish-orange of its feathers.

                               Watercolors 6.9 x 9.8 on 110 lbs paper (PS)

Vacation in 2 Parts - Deception Pass Bridge

From Seattle we drove north so we could go hiking and whale watching (for Orcas!!!).  On the drive up, we called an audible and took the car ferry at Mukilteo to Whidbey Island (billed as the "shortest distance to far away"). We drove north on the Cascade Loop Rt 20.  This is how we found Deception Pass Park and its famous namesake bridge that spans the Puget Sound (180 feet above the water).   We hiked down to the north beach in the park with this incredible view of the bridge.  I think the painting of the bridge is the best (and my most favorite) thing I have done in many, many years.

                         watercolor pen & ink on 110 lbs paper (PS)

We came back the next day to hike the trails in the park and came back to the north beach.  This is a view to the left of the bridge.  You can see Fildalgo island on the right that connects to Whidbey via the Deception Pass Bridge.

                                watercolor pen & ink on 5.5X17 paper

And for those of you scoring at home, this is my 350th post of this blog!!

Vacation in 2 Parts - The Seattle Area

Greensboro, NC had Biscuitville but Seattle had the Biscuit Bitch!!  And anyone who knows me, knows I love me some biscuits (even as much as I love Triple D).  So when T over heard some of her fellow conference goers singing its praises (and they were down home southern to boot), well you know I had to go.  We get there at 10:30 am on a Friday and there is a 45 min wait for the food (but we had already ordered), so we waited.  Below is a quick sketch of the scene outside of the crowd.  It actually only took 30 minutes but man oh man was it worth it.  The biscuits were large and fluffy and delicious and smothered in country gravy and eggs.  Check out their Instagram to see pictures of the food.  If you are in Seattle and have an hour for breakfast. . .go there.

                             watercolor pen & ink 5.5x8.5 on paper

On Father's Day we took the ferry from Seattle to Bainbridge Island looking for some adventure, shopping and a nature walk.  Well, the "nature" walk was not much to blog about, although it did end with the view below, but the rest of the day walking around was very cool.  There was a festival going on, and lots of local restaurants and shops had little tents selling wares and food.  It ended up being a really cool day.

                          watercolor pen & ink 5.5x17 on paper

Fires Above

Something a little different, at least color wise.  I love how painting on top of the elegant writer gives the paintings a surreal feeling.  I knew I wanted to do mountains with a blazing sky, but beyond that it was all kind of improvised. It was more about the feeling than the composition (but that turned out good too). 

The sky is a mixture of quin rose, pyrrol red and hansa yellow medium.  I mixed the yellow and red on the paper to produce the fiery orange. 

                       Watercolor, Elegant writer 6.9x9.8 on 110 lbs paper (PS)

And here is the picture before I painted it, with the activated elegant writer ink.

Recurring Trees

It is 5:40 in the morning and I should be sleeping.  But I cannot.  So I might as well be productive.  I love the way the early morning sun lights up my favorite tree (you know the one) and have often contemplated drawing it with charcoal in the early morning hours.  Since I could not find my charcoal sticks, I did the next best thing and grabbed the elegant writer.  The bluish-pink washes captures the essence of the early morning light, giving the tree an ethereal, and almost haunting glow.

                             Elegant writer on 6.9 X 9.8 on 110 lbs paper (PS)

                                              (click to em biggen')

It's all happening at the Zool

T and I spent a full day at the National Zoo.  And aside from watching young Bao Bao eat honey off of a milk crate (see below), I did manage to complete a quick sketch or three.  Most of the animals moved around too much for me, but a few allowed for sketching.  Again, the elegant writer calligraphy pen is such a simple and versatile tool for drawing and making dynamic washes.

                               pen & ink (elegant writer) and water brush

The Perfect Sketch Book

I was so happy to come back from Vancouver to see that my Perfect Sketchbook (PS) had arrived!!  T supported the Indiegogo for me as a Christmas gift (so Christmas in April, Huzzah!!!) and the books are just gorgeous.  They are made with cold-pressed, 200 GSM Fabriano Artistico® watercolor paper, so the book is made for heavy washes.

                       Watercolor, pen & ink  6.9 x 9.8 inches on110 lbs paper

I did not know what to draw/paint/sketch as the first picture in my PS, so I fell back to an old favorite. . .my neighbor's tree.  This must be the 8th or 9th drawing of this tree I have done in the past few years.

The book handles the multiple washes well and allowed me to layer colors.  I started the ink drawing with a dip nib (Nikko G) and after the ink dried laid down the colors.  The paper was robust enough to go over the dried paints with another pen to enhance the line work.  All in all, my first experience was very pleasant and I cannot wait until I get some time to really play with the PS.  

Vancouver

Vancouver truly is a beautiful city.  Next time, I need to see more of it, like the Capilano Suspension Tree Park or spend more time in Stanley Park. But even walking down town by the convention center offers breath taking views of snow capped mountains.  I wish I had included the waters of the Vancouver Harbor in this picture of North Vancouver. Ah well. . .

                        Watercolor, pen & ink on paper 5.5 x 17 inches

Stuck at Newark Airport. . .Eat at Nonna's

I was delayed at Newark Airport (I know, that almost always never happens).  So I decided to sit at the bar and have lunch at Nonna's Italian restaurant. The meatball parm is pretty good.  Having finished my sandwich, and still having nearly 2 hours to go, I decided to paint the most interesting thing I saw. . .a bar full of booze.  

The bartender kept stopping by to watch my progress.  As I was finishing, he asked me for the original, so I gave it to him.  He hung it up over the bar.  So if you are ever stuck at Newark Airport, try Nonna's.

#wheresmyfreemeatballparm

                              Watercolor on paper 5.5x8.5

 

Old Man

Worn, weathered faces are so interesting to draw. Each line, tells a unique story.

"I have been bent and broken, but - I hope -

into a better shape."

   Great Expectations

Charles Dickens

                                     Watercolor, pen & ink on paper

This is the day. . .

I have had the The The (an underrated 80's synth-pop group) song, "This is the Day", running through my head like an earworm.  For some reason, it made me think of little Eeyore.  Does he ever think, this is the day his life will surely change? And then his inside voice goes, "I dunno Pooh, I suppose. . ."  These are the questions that keep me up at night.

This picture started out with me doodling some calligraphy, using Diamine Ancient Copper ink (I just love, looooove this ink).  Even though I got the lyrics (and anyone who knows me, knows I have a propensity to butcher song lyrics), it still works.

                           Pen & Ink on Rhodia dot 21.2 lbs paper 8.25x12.5 

InCoWriMo #2 -- Dragons, Knights and the Heavens' Cloth

This one is for T's (and my niece).  I wanted to let her know she can be whatever she wants to be. . .the hero (knight), the princess, or both. . .all at the same time.

One of my favorite poems.  You have to love the Irish and the infinite capacity to be sullen and sad.

(I wish I had started it a bit higher on the page.)

InCoWriMo

Back in ancient times when I was in college, I used to write letters quite frequently. Especially during the summer months when most of my friends had scattered to the four winds. I did not have fancy fountain pens or even a calligraphy set, but I did have my cartooning.  I would add little drawings through out the letter, making each letter something unique.  My roommate Cone and I would send letters back and forth, each trying to one up each other with our drawings of Calvin & Hobbes, Pooh Bear, Disney characters or our own creations.  My favorite was when he put Stupendous Man on the envelope and commanded the postman to do his "nefarious bidding" (yeah, I have stolen that).  Then, with the advent of email, cell phones, text messages and other social media, I just. . .stopped.  Which is sad, because, who does not like getting a hand written letter?  In early January I learned about something called InCoWriMo (pronounced: ink-o -rye-mo; International Correspondance Writing Month) which urges people to handwrite one letter per day in the month of February.  And it made me remember how much I enjoyed writing and getting letters, so I decided to give it a go.  I do not know if I can do 29 letters done this month, but am going to try.  Below is the letter I sent to T for Valentine's Day (there was also a handwritten note, but I am not posting that ;-).

                          Pilot Custom 912, watercolor on Bristol paper 9x12